At midcentury performance was imported into painting and dissolved the bounds of objecthood whereas recording threatened to render musical performance into an object.
Douglas Kahn Noise Water Meat. A History of Sound in the Arts p. 262
At midcentury performance was imported into painting and dissolved the bounds of objecthood whereas recording threatened to render musical performance into an object.
Douglas Kahn Noise Water Meat. A History of Sound in the Arts p. 262